Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 363

ID: 48370

unknow artist Still life floral, all kinds of reality flowers oil painting  363
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unknow artist Still life floral, all kinds of reality flowers oil painting  363


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unknow artist

  Related Paintings of unknow artist :. | Napoleon in the plague house in Jaffa | Ritratto di Cavaliere dell'ordine Costantiniano | Portrait of Albrecht Sigismund von Bayern | Confidence Man | An Allegory of the Dinteville Family |
Related Artists:
Richard Redgrave,RA
1804-1888 Painter, etcher and administrator, brother of (1) Samuel Redgrave. He trained initially as a clerk and draughtsman in his father's counting-house before becoming a student at the Royal Academy Schools in 1826; he also studied with John Powell. About 1830 he left his father's firm and supported himself as a drawing-master, working in watercolour before attempting to paint in oil. He exhibited at the Royal Academy from 1825 until failing eyesight afflicted him in 1883. He was elected ARA in 1840 and RA in 1851.
LEDESMA, Blas de
Spanish painter documented 1602-1614 in Granada,Spanish painter. He is known to have worked in Granada from 1602, and in 1614 he designed a stucco vault decoration for the Alhambra. Archival sources testify to his renown as a painter of decorative fresco grotesques (untraced) and still-lifes. His activity as a still-life painter remains debatable, partly because he has been confused with Blas de Prado and also because of Torres Marten's controversial attributions. Ledesma's only unanimously accepted autograph painting is Still-life with Cherries and Flowers (Atlanta, GA, High Mus. A.), signed in Granada. A highly decorative painting, it shows none of the sophistication of still-lifes by Juan Senchez Cot?n, in Granada from 1603. It is painted meticulously and drily. Depicting a severely drawn, rather flat basket on a narrow ledge flanked by flowers behind it, the rigorously symmetrical composition is relieved only by soft lighting and the studied disarray of some fallen cherries. Two other unsigned and poorly preserved still-lifes of analogous subject-matter have been attributed to Ledesma
NIEULANDT, Adriaen van
Flemish/Dutch painter (b. 1587, Antwerpen, d. 1658, Amsterdam).






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